The Wanderers - Niagara Falls, 1988, 2019. Inkjet Print, 30 x 48”. Ed. 5 + 2 AP
A Whole New World – CN Tower, 1988, 2019. Inkjet Print, 30 x 48”. Ed. 5 + 2 AP
Keep Off the Grass - Cullen Gardens and Miniature Village, 1988, 2019. Inkjet Print, 30 x 48”. Ed. 5 + 2 AP
A Settler’s Dilemma, 2019. Inkjet Print, 24 x 30”. Ed. 5 + 2 AP
Get Out of Jail Free (If You Take a Walk on the Boardwalk), 2019. 24 x 30”. Ed. 5 + 2 AP
A Border Passage, 2019. 24 x 30”. Ed. 5 + 2 AP
Continuous Journey, 2019. 24 x 30”. Ed. 5 + 2 AP
Staff Purchase, 2019. 30 x 24”. Ed. 5 + 2 AP
Performative Citation, 2019. 24 x 30”. Ed. 5 + 2 AP
The Border Guards Were Friendly, 2019. 24 x 30”. Ed. 5 + 2 AP
An Exotic Bird Does Not Tweet, 2019. HD Video.
On Being Included, 2024
inkjet print mounted on plywood, UV prints, plywood
165.5 x 203 x 172.5 cm
Photo by Toni Hafkenscheid
detail of
Another Desi with a camera, 2020
Inkjet Prints
Photo by Toni Hafkenscheid
Another Desi with a camera, 1/3 2020
inkjet prints, adhesive vinyl
191.5 x 102 x 142 cm
Photo by Toni Hafkenscheid
Yours to Discover
Writings by Zinnia Naqvi
Self published collection of nine essays by the artist
5 x 8”, 102 pages
Public installation at Peel Art Gallery Museum and Archives, 2019.
Billboard on Shaw: Zinnia Naqvi | The Border Guards Were Friendly, Critical Distance Centre for Curators and Gallery TPW, Toronto, Ontario. Curated by Noa Bronstein
Installation view from Broadway City Skytrain Station, Vancouver. Capture Photography Festival 2021. Photo by Christopher Lacroix
It was my discomfort that weighted the camera – Blinkers Art and Project Space, Winnipeg. Photos by Daisy Wu, 2022.
Related - Libby Leshgold Gallery, Emily Carr University of Art + Design, Vancouver. Curated by Lyndsay Pomerantz. Photos by Blaine Campbell, 2022.
Related - Libby Leshgold Gallery, Emily Carr University of Art + Design, Vancouver. Curated by Lyndsay Pomerantz. Photos by Blaine Campbell, 2022.
Installation view from Pierre-François Ouellette Art Contemporain, Montreal. Photo by Jason Perreault.