I Can Tell That Centering Myself Is Making You Uncomfortable, 2019. Adhesive Vinyl. 36 x 36”
© Zinnia Naqvi, installation view from the exhibition the Translation is Approximate, Dazibao, 2021. Photo: Marilou Crispin.
Installation View from Reading Silences at Forest City Gallery. London, Ontario. Curated by Matthew Kyba.
Having My Face On Your Wall Is Not Proof of Inclusivity, 2019. Adhesive Vinyl. 48 x 36”. Installation view from Forest City Gallery.
Having My Face On Your Wall Is Not Proof of Inclusivity, 2019. Adhesive Vinyl. 48 x 36”. Installation view from Forest City Gallery.
I Don't Know How to Not Exploit My Experience. Mirror, 18 x 24". Installation view from Forest City Gallery.
I Don't Know How to Not Exploit My Experience. Mirror, 18 x 24"
But Then I Was Lonely, But Then I Was More Productive Screen-printed Tote Bags, 12 x 12"
But Then I Was Lonely, But Then I Was More Productive Screen-printed Tote Bags, 12 x 12"
Men in Many Countries Have Told Me I am Marriage Material, Handwoven digital Jacquard (cotton, tencel), 24 x 56”. Translated and woven by Sophia Borowska.
Men in Many Countries Have Told Me I am Marriage Material, Handwoven digital Jacquard (cotton, tencel), 24 x 56”. Translated and woven by Sophia Borowska.
Am I Conditioned to be Your Competition? Adhesive Vinyl on floor, 30 x 36"
I Don't Know How to Explain to You All the Ways in Which I Perform, GIF, dimensions variable
Did You Tell Him to Fuck Off? No I Just Laughed Awkwardly. Adhesive Vinyl Lettering on Window, 104 x 60”. Installation view from Concordia University EV Junction
Did You Tell Him to Fuck Off? No I Just Laughed Awkwardly. Adhesive Vinyl Lettering on Window, 104 x 60”. Installation view from Concordia University EV Junction